
Ding Shilun to donate proceeds from new painting to emergency relief as city reels from deadly blaze at Wang Fuk Court
In the wake of the devastating high-rise fire at in Tai Po, a Chinese artist has committed to auctioning a new painting, with all proceeds earmarked for the emergency response service in Hong Kong.
— whose latest watercolour, titled (2025) was unveiled this week — will sell the piece via a silent auction, donating 100 percent of the final sale price to the region’s ambulance service.
The gesture arrives amid an outpouring of relief efforts following the tragedy, which has left Hong Kong grappling with grief, displacement, and a mounting humanitarian response.
Authorities say the fire, which erupted on 26 November, has resulted in the deaths of at least 159 people and injured many more, marking the worst residential inferno the city has seen in decades.
Investigations point to the building’s bamboo-scaffold renovation and associated plastic netting and foam cladding as potential accelerants in the blaze, while rescue services and community organisations have launched a broad relief campaign.
The auction of Dawn reflects a broader wave of solidarity across the art world and civil society.
Several galleries and artists have pledged support for victims and survivors, channeling proceeds from exhibitions and donations.
Meanwhile large-scale giving has poured in: one philanthropist linked to the crypto industry announced a multi-million-dollar donation to the government’s relief fund, and companies across sectors have stepped up — contributing funds, supplies and shelter to displaced families.
For many Hong Kong residents, the combination of grassroots generosity and public-spirited art offers some solace during a period of collective mourning.
The auction — modest in definition yet symbolic in scope — underscores how cultural initiatives can complement humanitarian aid, reinforcing community bonds when tragedy strikes.
As the city marshals resources to help victims recover and rebuild, the sale of Dawn stands as a vivid reminder that art can be a vessel for compassion, solidarity and hope in dark times.
— whose latest watercolour, titled (2025) was unveiled this week — will sell the piece via a silent auction, donating 100 percent of the final sale price to the region’s ambulance service.
The gesture arrives amid an outpouring of relief efforts following the tragedy, which has left Hong Kong grappling with grief, displacement, and a mounting humanitarian response.
Authorities say the fire, which erupted on 26 November, has resulted in the deaths of at least 159 people and injured many more, marking the worst residential inferno the city has seen in decades.
Investigations point to the building’s bamboo-scaffold renovation and associated plastic netting and foam cladding as potential accelerants in the blaze, while rescue services and community organisations have launched a broad relief campaign.
The auction of Dawn reflects a broader wave of solidarity across the art world and civil society.
Several galleries and artists have pledged support for victims and survivors, channeling proceeds from exhibitions and donations.
Meanwhile large-scale giving has poured in: one philanthropist linked to the crypto industry announced a multi-million-dollar donation to the government’s relief fund, and companies across sectors have stepped up — contributing funds, supplies and shelter to displaced families.
For many Hong Kong residents, the combination of grassroots generosity and public-spirited art offers some solace during a period of collective mourning.
The auction — modest in definition yet symbolic in scope — underscores how cultural initiatives can complement humanitarian aid, reinforcing community bonds when tragedy strikes.
As the city marshals resources to help victims recover and rebuild, the sale of Dawn stands as a vivid reminder that art can be a vessel for compassion, solidarity and hope in dark times.









































